<p>The Adrian Barela House is a historic house in Los Ranchos de Albuquerque, New Mexico. It was built around 1900, probably by Adrian Barela and his wife Jesusita Tenorio, who lived there until the early 1930s. The building was added to the New Mexico State Register of Cultural Properties in 1983 and the National Register of Historic Places in 1984. It is located on the same block as another historic property, the Refugio Gomez House.</p><br>
<p>The house is an example of New Mexico vernacular architecture, with stuccoed adobe walls and simple wooden trim. The roof was originally flat but was replaced with a pitched roof with intersecting gables soon after the house was built. The gables are decorated with diamond-shaped wooden shingles and diamond-shaped windows. The house was originally L-shaped, but is now rectangular after a kitchen was added in the mid-20th century. It has original 1-over-1 wood-framed sash windows and an off-center front entrance.</p><br>
<p>The Refugio Gomez House is a historic house in Los Ranchos de Albuquerque, New Mexico. It was built around 1875 and was probably purchased by Refugio Gomez in 1911. In 1942, the house was bought by Mela Sedillo Koeber, who built an addition containing a kitchen and bathroom. The building was added to the New Mexico State Register of Cultural Properties in 1983 and the National Register of Historic Places in 1984. It is located on the same block as another historic property, the Adrian Barela House.</p><br>
<p>The house is an example of Territorial architecture. It has irregular adobe walls, which are 18to24 in thick, and simple wooden door and window trim. The original section of the house is at the front, while two additions at the rear date to the 1890s and 1942–43, respectively. A much larger addition was constructed on the south side around 2012. The interior of the house features original wooden floorboards, vigas, and corner fireplaces. The historic nomination also includes an adobe chicken coop on the property which has been converted into a small house.</p><br>
<p>Mission Cultural Center for Latino Arts  is an arts nonprofit that was founded in 1977, and is located at 2868 Mission Street in the Mission District in San Francisco, California. They provide art studio space, art classes, an art gallery, and a theater. Their graphics department is called Mission Grafica, and features at studio for printmaking and is known for the hand printed posters. It was formerly named, Centro Cultural de La Mission.</p><br>
<p>The center&#39;s building was listed on the National Register of Historic Places on December 29, 2020; and listed as a San Francisco Designated Landmark since June 3, 2022.</p><br>
<h2>About</h2><br>
<p>Mission Cultural Center for Latino Arts (MCCLA) provides art studio spaces, art classes, an art gallery, and a theater.</p><br>
<p>MCCLA is active in the local community with supporting a series of annual events in the neighborhood such as the Carnaval parade, Dia de los Muertos, and others. Since 2003, MCCLA has been hosting an annual mole sauce competition. The MCCLA is very active in the annual Carnaval parade, teaching related dance classes, building floats for the parade, help with designing Carnaval costumes, creating banners and posters, and more. Additionally MCCLA is active in the annual Dia de los Muertos in the Mission District with erecting alters in Garfield Square park. They have hosted an annual neighborhood art exhibition in February, Corazón del Barrio, where local artists and craftsmen sell works, prints, jewels, pottery, and weaving.</p><br>
<p>The 40th anniversary of MCCLA was celebrated with an art exhibition attempted to expand the communities understanding of Latino experiences, “Here Now: Where We Stand,” (2017), curated by Anthony Torres. The exhibition included artists Juan Fuentes, Andrea Gomez, Art Hazelwood, Ester Hernandez, Yolanda Lopez, Calixto Robles, Michael Roman, Patricia Rodriguez, Jos Sances, Rene Yañez, amongst others.</p><br>
<h2>History</h2><br>
<p>The idea of a neighborhood community arts space had been in discussion starting in 1972. In 1976, the Mission Arts Alliance was formed, led by Alejandro Gato Murguia and their first meeting was with the San Francisco Arts Commission. A building was purchased by the city and prior to becoming the arts center, the building was used as a furniture store named "The Shaft". Mission Cultural Center for Latino Arts (MCCLA) was founded by 1977 by artists and community activists to promote the experiences of Chicano, Central American, South American, and Caribbean people.</p><br>
<p>Early artists active in the organization included many writers and poets such as Ernesto Cardenal, Nina Serrano, Roberto Vargas, and Raul Salinas. They called themselves the Pocho–Che group and they printed many political books and flyers including the Chicano zine El Pocho-Che. By 1978, a bulletin arrived from the Sandinista National Liberation Front calling for urgent action and support for the Nicaraguan Revolution. As a result, the leaders started to leave the Centro Cultural de La Mission group to participate in the Sandinista guerrilla offensive, and the new leadership for Centro Cultural de La Mission under Alfonso Maciel changed the direction away from political activities. By 1980 the Pocho-Che group had disbanded.</p><br>
<p>The graphics and printing department, Mission Grafica, was founded in 1982 by Jos Sances and Rene Castro.</p><br>
<p>Solo Mujeres, an annual exhibition since 1987 at Mission Cultural Center for Latino Arts. The Solo Mujeres 2020 exhibit includes Latino artists working with a variety of topics but holds a connection to the curatorial theme in relation to Gloria Anzalduas writings. The curator for the 2020 exhibition, Martina Ayala chose to bridge connections to Gloria Anzalduas writings pertaining to the Coatlicue State and Nepantlas, Coatlicue derives from the Mexica (mexihcah) culture and Coatlicue was an important goddess in Mexica society. Ayala uses the Aztec (Mexica) references "Nepantleras" that described a state of in-between. Some topics include femicide, healing, race, working class women, and disaster recovery.</p><br>
<h2>Notable artists</h2><br>
<p>This is a list of notable artists affiliated with MCCLA.</p><br>
<p>Jesus Barraza</p><br>
<p>Andrea Gomez</p><br>
<p>Elba Rivera</p><br>
<p>Patricia Rodriguez</p><br>
<p>Spain Rodriguez</p><br>
<p>Herminia Albarrán Romero</p><br>
<p>Jos Sances</p><br>
<p>Nina Serrano</p><br>
<p>Herbert Sigüenza</p><br>
<p>Hank M. Tavera</p><br>
<p>Yolanda Lopez</p><br>
<p>Carlos Villa</p><br>
<p>Rene Yañez</p><br>
<p>Rio Yañez</p><br>
<p>Habersham Memorial Hall is a historic building in Atlanta, Georgia, United States. The building, named in honor of Joseph Habersham, was designed by Henry Hornbostel to serve as the headquarters for the local chapter of the Daughters of the American Revolution. The building was constructed between 1922 and 1923 and was added to the National Register of Historic Places in 1974.</p><br>
<h2>History</h2><br>
<p>On February 12, 1900, the Joseph Habersham Chapter of the National Society Daughters of the American Revolution was organized at the Georgia Governors Mansion, with the wife of Georgia Governor Allen D. Candler serving as one of its founders. The chapter, based in Atlanta, was named in honor of Joseph Habersham, a politician from Georgia who had been a soldier in the Continental Army during the American Revolutionary War and served as the United States Postmaster General, among other government positions. On January 14, 1922, the cornerstone for a new headquarters for the chapter was laid, with the buildings construction completed the following year. Henry Hornbostel served as the architect for the building, which was designed as a replica of the Bulloch–Habersham House in Savannah, Georgia. In April 1923, the hall hosted the 25th annual state conference of the Georgia Daughters of the American Revolution.</p><br>
<p>On June 7, 1974, the building was added to the National Register of Historic Places. That same year, a Georgia historical marker was erected near the building.</p><br>
<h2>Architecture</h2><br>
<p>The building has a frontage of 200 ft. The windows on the second story feature guard rails made of cast iron. The brick exterior of the building was previously covered with a white stucco that has since been removed, giving the exterior a slight patina. The Bulloch–Habersham House, of which this building is a replica of, was built in the Federal style.</p><br>
<p>The Omega Chapter of the Chi Phi Fraternity is a historic fraternity house located at the Georgia Institute of Technology  in Atlanta, Georgia, United States. The building was added to the National Register of Historic Places in 1982.</p><br>
<h2>History</h2><br>
<p>In 1902, the Chi Phi fraternity began to investigate the possibility of a presence at the Georgia School of Technology (now Georgia Institute of Technology, commonly known as Georgia Tech) in Atlanta. By 1904, there were eight members at Tech and on June 2 of that year, the Omega Chapter at the school was officially chartered. In 1927, Omega Chapter members began to raise funds for the construction of a new fraternity house, which was constructed between June 1928 and Fall 1929. On June 17, 1982, this building was added to the National Register of Historic Places.</p><br>
<h2>Notable Alumni</h2><br>
<p>Bob Davis (tackle) Georgia Tech Football Team Captain in 1947, All-American, College Football Hall of Fame Inductee.</p><br>
<p>The Charles Grande House is a historic farmhouse in Albuquerque, New Mexico. It was built in 1915 by Charles Grande, an Italian immigrant who worked in the hotel and saloon business, and his wife Carmelita Garcia, who was from a New Mexico family. The Grandes operated a vineyard and raised livestock on the property, which was later subdivided for residential development in the 1950s. The building was added to the New Mexico State Register of Cultural Properties in 1983 and the National Register of Historic Places in 1984.</p><br>
<p>The house is a -story bungalow with a full-width screened porch. It has a broad gable roof with clapboarded gables and overhanging eaves supported by brackets. The house is in largely unaltered condition with original doors and sash windows throughout.</p><br>
<p>The Stanhope United Methodist Church is a historic church built 1920 in the borough of Netcong in Morris County, New Jersey, United States. It is across the Musconetcong River from Stanhope. Historically known as The Church in the Glen, it was added to the National Register of Historic Places on January 2, 2013 for its significance in architecture.</p><br>
<h2>History and description</h2><br>
<p>The first Methodist church in the area was built in 1835 in Lockwood. From 1839 to 1844, the Plaster Mill in Stanhope was used for services. In 1844, a new frame church was built on Linden Avenue in Stanhope. Construction of the current stone church in Netcong was started in 1917 and completed in 1920. It was designed by the ecclesiastical architect Floyd Yard Parsons and features Tudor Revival and English Gothic styles.</p><br>
<p>West Hall is a building on the campus of Texas Tech University in Lubbock, Texas. It was designed by noted American architect Wyatt C. Hedrick. Originally designated “Men’s Dormitory #1”, the building was subsequently renamed West Hall after James Marion West Sr., a Texas businessman and philanthropist who was a member of the university&#39;s board.</p><br>
<h2>History</h2><br>
<p>When the university opened in 1925, it was without residential facilities, and students either commuted from their own homes or resided with local residents. Although dormitories were included in the initial master plan for the college developed by W.W. Watkin, initial student enrollment and state appropriations delayed creation of housing on campus for some time. Knapp was acquainted with the President Franklin Roosevelt and this relationship aided in securing funds for this and related PWA projects for the university. In the initial campus master plan, Watkin proposed smaller, two-story structures of ornate Spanish architecture with clay tile roofs for the resident halls. Given the realities of the Depression-era funding, a larger three-story flat-roof structure was eventually constructed. A second residence hall, Women&#39;s Dormitory #1 (now Doak Hall), was conceived and funded by the PWA at the same time. Both were designed by Watkin during a time when the bulk of his work was for the PWA. His work for the PWA was so extensive, he had moved himself and his family into the Mayflower Hotel in Washington, DC. Watkin, his colleagues, and their families lived in the hotel in one set of rooms, while the team worked on drafting tables in others. West and Doak sit across from one another on Broadway. The buildings were noted in a Life (magazine) article highlighting PWA and other Federal Aid projects in its January 4, 1937 edition.</p><br>
<p>The building would be later named West Hall in honor of James Marion West, Sr. who served on the board of the university from 1935 to 1941 and chaired it during the period from 1940 to 1941. After serving as a dorm, the building was subsequently converted to more administrative duties, and after an update and remodel in 2006 by Adling and Associates, the building now houses the Texas Tech Visitors Center and the Texas Tech Office of Admissions. The building is one of several included in the National Register of Historic Places Texas Technological College Historic District.</p><br>
<p>The Houston Light Guard was one of the oldest militia companies founded in Texas. Founded in 1873, it served as Company G of the 143rd Infantry Regiment during both World Wars and later as A co 2nd Battalion, 143rd Infantry after the Pentomic division system. It was a part of the National Guard&#39;s only Airborne Infantry Brigades, was a Ranger Company, and a Long Range Surveillance Company. The Houston Light Guard moniker is an official US Army special designation.</p><br>
<h2>Armory</h2><br>
<p>The original Houston Light Guard Armory was located on Texas St. and Fannin Ave. It designed by architect George Dickey and built in 1893 using cash prizes won by the Houston Light Guard in National drill competitions. In 1925 it was sold and the proceeds were used to build a new armory on Caroline St. The building was designed in 1925 by Alfred C. Finn, a local Houston architect. The privately owned property was denied a tax exemption causing the Houston Light Guard Association a financial burden for over the years before being transferred to the Texas National Guard in 1938, making it the first state owned armory in Texas. and In November 2012 the armory became home to the nations largest repository of African-American Military History.</p><br>
<p>It was designated a Recorded Texas Historic Landmark in 1992 and added to the National Register of Historic Places in 2024.</p><br>
<p>Magnolia House at 442 Gorrell Street in Greensboro, North Carolina is a Victorian-Italianate-style house which was listed as Magnolia Hotel in the Green Book as a hotel for African American travelers. It is one of the four remaining Green Book sites in North Carolina. It was listed on the National Register of Historic Places in 1991 as a contributing structure to South Greensboro Historic District.</p><br>
<p>The house is open for lunch three days a week and hosts events.</p><br>
<h2>History</h2><br>
<p>John W. and Annie Reed bought the house for $1300 when it was new in 1889. It was built by John Donnell Jr. at a time when white people lived in the area. Insurance maps show a three-story tower, and a nearby house on Pearson street has the same floor plan. John Reed ran a grocery store on Elm Street which experienced significant water damage from a nearby fire in 1890. His wife died the same year but the house remained in the family, rented to her parents Dr. Calvin and Caroline Graves, among others.</p><br>
<p>Although he rented it for only a short time, the house was named DeButts House for Capt. Daniel DeButts. John and Nina Plott bought the house in 1914. It is believed that Andrew Leopold Schlosser added stonework using Mount Airy granite. The house experienced significant damage from the 1936 Greensboro tornado.</p><br>
<h2>The business</h2><br>
<p>Arthur Gist, a bricklayer and World War I veteran, and his wife, seamstress Louise "Louie" Gist, bought the house in 1949. Themselves Black Americans, their clientele was generally wealthier Black travelers. The Greensboro City Directory called the tourist home Magnolia House as recently as 1968. It offered "distinguished and upscale accommodations."</p><br>
<p>Aurthur Gist died in 1980, and the business was closed. However, their son Herman Gist lived in the house until his death in 1994. Herman Gists wife Grace Gist sold it to Sam Pass in 1996. The Pass family has restored the house. In 2018, Pass daughter, nurse Natalie Pass-Miller, took over ownership from her father.</p><br>
<p>At some point the address changed from 438 to 442, meaning some history was overlooked for years.</p><br>
<h3>The Gist family</h3><br>
<p>Arthur and Louise "Louie" Gist had three children. Their eldest son, Herman Gist, became a state legislator. Their other son Arthur "Buddy" Gist Jr. worked with Miles Davis and Jackie Robinson. He also founded both Mt. Kilimanjaro Coffee Company and Mt. Kenya Coffee Company, which later merged into African Blend Gourmet Coffee Company. Annie Lou Gist was their youngest child; she graduated from Bennett College and in 1956 for her Ph.D. from the New York University School of Education. Annie Lou Gist was also active in the NAACP and in fighting for civil rights.</p><br>
<h3>Restoration</h3><br>
<p>Both Sam Pass and Natalie Pass-Miller have dedicated themselves to restoring Magnolia House. It reopened as a boutique hotel in January 2022. It did function as a boarding house for a while.</p><br>
<p>Much of the historical record of the site has been lost. Part of the original sign is inside, and a replica of the sign has been added outside. Without interior photos of the space from its first stint as a motel, research into interior design practices of the 1950s has guided some of the aesthetic choices.</p><br>
<p>Melissa Knapp is the historic site manager and curator for Magnolia House. Under her guidance, the site received a $3,667 Catalyzing Creativity Grant, from the City of Greensboro&#39;s office of arts and culture. The grant allowed them to partner with the Interior Architecture and Computer Science departments at University of North Carolina Greensboro; students in these departments created a virtual reality tour of the site as it looked at different times across the mid-20th century. The project was also partially funded by the National Park Service’s African American Civil Rights Grant Program.</p><br>
<h3>Famous guests</h3><br>
<p>The Magnolia House was a destination for wealthier Black Americans as they traveled. According to Donald Trapp, a minister in town, the lodgings were almost always full. The site had a marquee out front that announced famous people who was staying there at the time. Among the more famous guests were James Brown, Ike and Tina Turner, Ray Charles, Martin Luther King Jr., Robinson, and Satchel Paige. Five Blind Boys of Alabama, Joe Tex, and James Baldwin.</p><br>
<h3>Honors</h3><br>
<p>The Magnolia House became one of nine North Carolina hotels, and one of over 300 in the United States, listed in Historic Hotels of America. Lawrence Horwitz, executive vice president of Historic Hotels of America, praised the "exemplary stewardship of this historically significant hotel."</p><br>
<p>Florence and Isaac Budovitch House is a historic home located at Wilmington, New Castle County, Delaware. It was added to the National Register of Historic Places in 2020.</p><br>
<h2>History</h2><br>
<p>The Florence and Isaac Budovitch House was built by Edgar Tafel, who was commissioned by Florence and Isaac Budovitch to build a house as they faced anti-Semitism in the housing market. It was constructed between 1955 and 1956 in a Contemporary style with Prairie School/Wrightian influences.</p><br>
<p>Methodist-Episcopal Church of Marysville  is a historic Methodist church at 3rd Street in Marysville, Montana.</p><br>
<p>The Methodist church was built in 1887 during the local gold rush, and the church was abandoned in 1939. John W. and Margaret C. Hollow of Helena bought the church in 1967 and restored it over the following years. The building was added to the National Register of Historic Places on January 5, 1984.</p><br>
<p>The Globe Theatre, originally the Morosco Theatre, and Garland Building, is an office building and theater at 744 S. Broadway in the Broadway Theater District of the Historic Core of Downtown Los Angeles. It opened in 1913, has 11 stories, and was designed in Beaux-Arts architectural style by the firm of Morgan, Walls & Morgan. Alfred F. Rosenheim designed its interiors. As of 2024 the venue is again closed, but has a capacity of 2,000.</p><br>
<p>The Globe opened in 1913 as the Morosco Theatre with a seating capacity of 782, used for full-scale live dramatic theater, and built for impresario Oliver Morosco. The Garland Building was office space, forming a single building with the theater</p><br>
<p>The Globe was converted into a movie theater during the Great Depression, and later on showed Spanish-language films until the 1980s It was converted into a swap meet in 1987.</p><br>
<p>The Globe was again permanently closed as of 2023.</p><br>
<p>The Readyville Mill was a historic mill located in Readyville, Tennessee, located in Cannon County, near the border of Rutherford County.</p><br>
<p>The original water-powered grist mill was constructed by the community founder Colonel Charles Ready in 1812. Ownership of the mill remained in the family until it burned down during the American Civil War for unknown reasons. Robert Carter rebuilt the mill in the 1870s and acquired full ownership of it in 1884. After being engaged in several different trades for several different owners, the mill closed in 1978. In 2009, the mill was reopened after a three-year renovation as a privately owned restaurant. The grounds consisted of five newly restored buildings: The Grist Mill, Granary, Icehouse, Miller&#39;s Cabin, and Smokehouse. In February 2023, the restaurant and mill were once again closed after several recent changes of management and ownership.</p><br>
<p>The mill was added to the National Register of Historic Places on June 12, 1973 and featured on an episode of Tennessee Crossroads in 2015.</p><br>
<p>The mill building and grounds were destroyed by an EF2 tornado around 1:55 a.m. on April 1, 2023. The debris was cleared in March 2024 so that construction could begin on a new general store in the former location.</p><br>
<h2>Photo Gallery</h2><br>
<p>The Manning Milwaukee Railroad Trestle is a historic structure located in Manning, Iowa, United States. The span was completed in 1913 by the Chicago, Milwaukee, St. Paul and Pacific Railroad. During World War II the rail bridge was guarded by the Iowa National Guard as it was considered part of a valuable transit route. In 1969 a person used dynamite in an attempt to derail the passenger train, sending it into the Nishnabotna River. While the train derailed, it was able to stop before it plunged off the trestle. In 2020, the bridge was listed on the National Register of Historic Places.</p><br>
<p>The Lemuel C. and Mary  Boughton House is a historic building located in Cherokee, Iowa, United States. The 2½-story, frame, Queen Anne house was completed in 1891. The exterior features cottage bay windows, projecting gabled bay windows on the central pyramidal-roof, and decorative eaves. The concrete wrap-around porch is not original to the house and was added in 1910. An iron fence surrounds the parameter of the property. The interior features decorative staircase railings and newel posts, molded baseboards, paneled doors, many with fluted jambs and bull&#39;s-eye corner blocks. Transoms are located over bedroom doors on the second floor. While Cherokee has other Queen Anne houses, the Boughton House is more architecturally elaborate.</p><br>
<p>The Roy C. and Lena  Seaman House is a historic building located in Cherokee, Iowa, United States. The 1½-story, frame, American Craftsman style Bungalow was completed in 1913. The exterior features a side-gabled roof that extends over the full-width front porch. Of particular note are the decorative field or river stones that are utilized in the porch and the chimney, typical of the Craftsman style. Other decorative elements on the exterior include rafter tails on the porch and above the shed-roofed dormer windows. Much of the original woodwork has been maintained in the interior of the house. Faux timbers extend across the living room and the dining room ceilings. The interior also features built-in cabinets and a brick fireplace. The house was listed on the National Register of Historic Places in 2019.</p><br>
<p>The Guy M. and Rose  Gillette House is a historic building located in Cherokee, Iowa, United States. The two-story frame house was completed about 1898. It is significant because of its association with Guy Gillette, who resided here while he served in the United States Senate. He converted the living room, a bedroom, and the enclosed porch into office space. Here he would meet with constituents, give public presentations, and participate in various activities when the Senate was in recess. Gillette also lived here when he served as president of the American League for a Free Palestine, and in his post-political life. The house was listed on the National Register of Historic Places in 2019.</p><br>
<p>Fire Station No. 6 is a historic fire station in Atlanta, Georgia, United States. Built in 1894 with designs by Bruce & Morgan, the building is the oldest freestanding fire station in the city. Located in the Sweet Auburn neighborhood, the building is a contributing property in the Martin Luther King Jr. National Historical Park.</p><br>
<h2>History</h2><br>
<p>The fire station was designed by the architectural firm Bruce & Morgan and built in 1894. The building, a two-story brick structure, was built in the Romanesque Revival style. Located at the intersection of Boulevard and Auburn Avenue in the Sweet Auburn neighborhood, the station was the first one in Atlanta to hire African American firefighters. The station would continue to serve the neighborhood for several decades, and by 1986, it was the oldest operating fire station in the city. In 1991, the station closed, and in 1995, it was renovated and converted to a museum on the history of desegregation in the Atlanta Fire Department. Among the items in the museums collection are two of the stations original brass firepoles and a 1927 American LaFrance fire engine. Today, the building is the oldest freestanding fire station in the city. The building is a contributing property of the Martin Luther King Jr. National Historical Park and is located next to Our Lady of Lourdes Catholic Church.</p><br>
<p>The Madison Municipal Building, also known as the United States Post Office and Federal Courthouse, is a historic government building at 215 Martin Luther King Junior Boulevard in Madison, Wisconsin. Built in 1927-29, the building was Madison&#39;s tenth main post office and the second courthouse for the United States District Court for the Western District of Wisconsin; it replaced an 1867 building which had also served as both post office and courthouse. James A. Wetmore, the Supervising Architect of the United States Treasury Department at the time, designed the Neoclassical building; the Neoclassical style was commonly used for post offices in the early twentieth century. The building has a limestone exterior with a two-story Ionic colonnade on its front facade, a central entrance with three doorways, and a cornice and parapet at its roof. When the post office relocated in 1980, the City of Madison moved its offices into the building and renamed it the Madison Municipal Building; the district court also relocated later in the 1980s.</p><br>
<p>The building was added to the National Register of Historic Places on November 27, 2002.</p><br>
<p>The Felipe Romero House is a historic farmhouse in Albuquerque, New Mexico. It was probably built around 1900, and was expanded to its present size around 1904 by Felipe Romero. Romero, who came from an old New Mexico family, bought the property after his house lower in the Rio Grande valley was destroyed by a flood in 1903. The building was added to the New Mexico State Register of Cultural Properties in 1983 and the National Register of Historic Places in 1984.</p><br>
<p>The house is an example of late Territorial Style architecture, with thick walls constructed from terrones (large adobe bricks) and a flat roof supported by vigas. It has five rooms grouped into two staggered rectangular volumes. The older part of the house, on the south side, has a higher floor level and contains the kitchen and bathroom, both with exterior entrances. The house has narrow door and window openings with 2-over-2 sash windows and simple wooden trim. There is also a detached horno at the rear of the house.</p><br>
<p>Des Moines Township No. 7, also known as Cole School, is a historic building located northeast of Boone in rural Boone County, United States. The brick one-room schoolhouse was completed in 1888. The use of brick suggests the people in this area were either people of some wealth or there was a larger population who could draw on a broader base of financial resources. Student records were not kept until the year after the school opened. At that time there were 19 students who were between the ages of 5 and 16. Nellie Harvey was the first teacher, and she and those who came after her worked with the students from first grade to eighth. In addition to being a schoolhouse, the building also served as a voting place, a community center, and a storm shelter. As the number of farm families in the area diminished the enrollment in the school declined. Educational leaders began to advocate for better educational offerings and improved school buildings. In 1920 the Iowa General Assembly passed laws to improve rural schools. During the Great Depression more families left the farms and the school closed in 1933. Two of the students who attended the school when it opened had sons in the final class of eight students.</p><br>
<p>After the school closed the building sat empty until it was sold in 1948 to Olive Cole, a former teacher here. In the following years, it was used to house livestock and farm equipment. Later, the Daughters of the American Revolution acquired the building and turned it into a museum. It was listed on the National Register of Historic Places in 2019.</p><br>
<p>The Coggon Commercial Historic District is a nationally recognized historic district located in Coggon, Iowa, United States. It was listed on the National Register of Historic Places in 2019. At the time of its nomination it consisted of 18 contributing buildings. Coggons development began in the 1880s after arrival of the railroad in town. Main Street was built perpendicular to the train tracks, which was on the west side of the central business district, so that the businesses had easy access. The east side of Main Street terminated at the Coggon Public School. The street was designed to be wider than normal to accommodate pedestrian and buggy traffic and to showcase the school building. All but three of the contributing buildings in the historic district were built between 1887 and 1912. They are one- and two-story brick structures with storefronts on the main floor. Coggons economy expanded in the early 20th century during a period of agricultural revitalization. Automobiles started to gain prominence toward the end of this period. The town&#39;s first gas station opened in 1910. As people drove more they traveled less by train and passenger service was eventually discontinued in Coggon. Freight service, however, still utilizes the tracks on the west side of town.</p><br>
<p>The Tyringham Center School is a historic schoolhouse at 2 Church Road in Tyringham, Berkshire County, Massachusetts. Built in 1877, it is the towns only surviving 19th-century schoolhouse, and one of Berkshire Countys only schoolhouses to survive from the second half of the 19th century. It was listed on the National Register of Historic Places in 2020.</p><br>
<h2>Description and history</h2><br>
<p>The Tyringham Center School stands in the town center of the rural community, at the southwest corner of Church and Jerusalem Roads. It is a wood-frame structure, mostly a single story in height, with a cruciform plan covered by a gabled roof. The roof is capped by a small square cupola which still houses the original school bell, and has gingerbread trim at its edges. Its layout includes two classrooms, a projecting centered entry, and a rear two-story ell housing utilities and bathrooms.</p><br>
<p>The school was built in 1876–77, replacing a one-room schoolhouse which stood on the same property. That school was one of six district schools in the town. This replacement served as the towns first graded school, with younger children in one of the classrooms (serving just the district), and older children (from across the town) in the other. Of the towns six pre-20th century schools, it is the only one still standing, and it is the only 19th-century school of its type to survive in all of Berkshire County. The school was built by Charles Videtto, a local master carpenter, and remained in use as a school until 1978. It has seen a variety of municipal uses since, mainly for office and storage space.</p><br>
<p>The Watson, Newell & Company Factory is a historic industrial complex at 67 Mechanic Street in Attleboro, Massachusetts. Built between 1889 and 1947, it is located on the site of the city&#39;s first textile mill, and was home to a prominent jewelry manufacturer for many years. It was listed on the National Register of Historic Places in 2020.</p><br>
<h2>Description and history</h2><br>
<p>The former Watson, Newell complex is located west of downtown Attleboro, in a largely residential area. It is set on more than 8 acre, bounded on the south by Mechanic Street, and the north by the Ten Mile River. The river is partially diverted through the property, providing water power for the early textile mills set on the site. The main structures of the mill are three and four stories in height, built with brick exteriors and heavy timber framing on the interior. The main buildings are long and comparatively narrow, a form dictated by the manufacturing requirements of machine-made jewelry.</p><br>
<p>This sites industrial use began in 1811, when a textile manufacturer dammed the river. The textile complex was heavily damaged by fire c. 1885, and although partially rebuilt, was never used again for that purpose. The Watson & Newell Company, founded in 1874 as Cobb, Gould, purchased the property in 1889, and commissioned the construction of the present complexs Building One. The company manufactured a variety of silver products, including buttons, pins, flatware, and souvenir spoons, employing more than 200 people at the site. The company remained in business on this site until 1955, when it was sold and its operations relocated to Wallingford, Connecticut. The complex presently houses a variety of small manufacturing operations.</p><br>
<p>Higganum Landing Historic District is a historic district in Haddam, Connecticut. It was listed on the National Register of Historic Places on December 10, 2018. It is located within a larger, 50-acre historic district that was listed on the Connecticut State Register of Historic Places on March 25, 1987.</p><br>
<p>Currently a residential neighborhood, Higganum Landing was a successful trading port and shipbuilding center between 1760 and 1870. The gentle bend of the Connecticut River created a natural harbor where more than 150 vessels were constructed. The district is architecturally significant because of its nine historic houses, built in the Cape Cod, Georgian, and Federal styles during the late 1700s through the mid-1800s.</p><br>
<p>The Downtowner Motor Inn is a historic motel on Central Avenue  in Downtown Albuquerque, New Mexico. Opened in 1965 as the 46th property of the Memphis, Tennessee-based, Downtowner Motor Inn chain, which operated economy-priced motels in city centers across the USA In 1972, the motel was sold and became a Quality Inn. It has also operated as a Ramada and most recently as the Hotel Blue, which closed in 2017. In 2020, it was announced that the motel would be renovated by the Los Angeles–based ARRIVE Hotels & Restaurants to reopen in 2022. These plans were delayed by the COVID-19 pandemic, and ARRIVE Hotels was purchased by a different hotel company, Palisociety, in 2021. After several years of delays, the project was reported in 2023 to be "back on track" with a targeted completion date of December 2024.</p><br>
<p>The building was listed on the New Mexico State Register of Cultural Properties and the National Register of Historic Places in 2020 as "an exceptional example of a mid-20th-century motel on Route 66 in Albuquerque."</p><br>
<p>The motel was designed by James L. Burke of the Memphis, Tennessee–based firm of Burke & Beaty Architects. It is a six-story building of reinforced concrete construction and is an example of International Style architecture with an emphasis on simple rectangular forms. It has 145 rooms, which are accessed in typical motel fashion via open-air exterior walkways with metal railings rather than a central lobby. Elevators are located in a breezeway near the center of each floor. The ground floor has scalloped concrete portes-cochères on the south and west elevations, facing Central Avenue and 8th Street, respectively. The south elevation includes stylized Southwestern symbols cast into the exterior concrete panels, which was unusual for International Style architecture. These elements have been obscured and damaged by new exterior trim which was glued onto the panels during a 2007–08 remodeling. ARRIVE Hotels reportedly planned to restore the exterior of the building closer to its original appearance.</p><br>
<p>Lincoln School is a historic school building at 728 E. Gorham Street in Madison, Wisconsin. The school was built in 1915 on the site of the Second Ward School, which had been in operation since 1866. Architects Claude and Starck, who designed several other Wisconsin schools along with libraries throughout the Midwest, designed the school in the Prairie School style. The school has a yellow brick exterior with terra cotta banding, multi-story brick pilasters topped with terra cotta capitals separating its windows, and a terra cotta tympanum atop both main entrances. The terra cotta moldings have the same designs as the Merchants National Bank in Winona, Minnesota; its architects, Purcell and Elmslie, were colleagues of Claude and Starck and likely gave them permission to copy the design. The school operated until 1963, when the Madison Art Center moved into the building; the Art Center left in 1980, and it was converted to apartments in 1985.</p><br>
<p>The school was added to the National Register of Historic Places on August 28, 1980.</p><br>
<p>The St. Regis Presbyterian Church was founded by the Reverend William B. Lusk, who first conducted services in the Keese&#39;s Mills schoolhouse, and served as pastor from 1899 to 1906. Paul Smith donated land on the St. Regis River and summer residents on the St. Regis lakes donated the funds used to construct the church. The church was designed by Saranac Lake architect William L. Coulter.</p><br>
<p>The church was added to the National Register of Historic Places in 2020.</p><br>
<p>Bingham School is a former elementary school located at 555 South 5th Avenue in Alpena, Michigan. It was listed on the National Register of Historic Places in 2020.</p><br>
<h2>History</h2><br>
<p>The first school in Alpena was constructed in 1863, and a union school followed in 1870. In the 1880s, five small "ward schools" were constructed in neighborhoods to house younger students. As the city grew, these schools became almost immediately overcrowded. More schools were constructed, but despite this the space issue was chronic. The three ward schools on the city&#39;s south side, Franklin, Lockwood, and Cass, all remained in use into the 1930s. In 1935, however, the school board authorized the construction of a new building to replace these three.</p><br>
<p>Joseph C. Goddeyne was hired to provide a plan for the school, which had an estimated cost of $180,000. Fortunately, the WPA covered $81,000 of the cost. Construction began in 1935, and was completed in 1936. The school was named after Moses Bingham, one of the first settlers of Alpena, and the owner of its first hotel and first gristmill. This was the last elementary school built in the city until 1950. The city continued to grow, and student enrollment peaked in 1970 at over 9000 students. However, enrollment declined afterward, and by 1995 there were fewer than 6000 students enrolled&#39; In 2008, there were only about 4500 students enrolled. Alpena Public Schools closed Bingham School in 1982.</p><br>
<p>After the school closed, it remained vacant for a time. It was sold to a private investor, and in 2004 was reopened as a charter school. The charter school closed in 2015, and the building has been vacant since that time.</p><br>
<h2>Description</h2><br>
<p>Bingham School is two-story red brick Collegiate Gothic structure, laid out in a traditional H plan. The brick exterior is trimmed with light colored limestone detailing. There are two main entrances on the main façade located in two-story projecting bays. The entries are recessed with large segmental arched windows. Between the entry projections are five very large window openings. On either side are three bays with windows in the first and second floor.</p><br>
<p>On the interior are six classrooms on each floor, three on each side of the hall. The main floor also contains the principals office, music teachers office and rest rooms. In the front there is a combined gymnasium and auditorium located between the entrances; the gymnasium extends up to the second floor. The second floor also has classrooms, restrooms, and library and conference room.</p><br>
<p>Agassiz School is a historic building located in Ottumwa, Iowa, United States. The two-story, light brick, Art Deco structure was completed in 1941. Named for Louis Agassiz, it replaced another school of the same name from the late 1880s that was located on the same property. Allegorical figures "sowing the seeds of knowledge" in limestone reliefs circle the building, which also features a curved wall, glass blocks, and glazed tiles. A good deal of the original decorative elements remain in the building. The original windows, however, were replaced with more energy-efficient windows in the 1970s. Agassiz served as a public elementary school until 2013 when it was closed along with two other schools after Liberty School was completed. The building was listed on the National Register of Historic Places in 2020.</p><br>
<p>Madison Waterworks, also known as Nichols Station, is a historic building on East Gorham Street between North Franklin and North Hancock in Madison, Wisconsin. The building was built in 1917 as part of an effort to overhaul Madisons municipal water system; in addition to its new pumping station, the city also began supplying its water system from Lake Mendota rather than artesian wells. To maintain the citys water supply during construction, the new pumping station was built around the original. Architects Balch & Lippert designed the building in a functional interpretation of the Prairie School style with mock turrets, a parapet along the roof, and several gables. The city reused elements of the design in many of the later buildings it built for the water system. The building originally included two Allis-Chalmers steam pumping engines, one of which still remained when the station was decommissioned in 1976; according to the Historic American Engineering Record, it is a rare surviving example of a large steam pumping engine.</p><br>
<p>The building was added to the National Register of Historic Places on August 18, 1980.</p><br>
<p>The Cartoof & Sherman Apartments are a group of three historic apartment houses at 31-35 Wales Street in the Dorchester neighborhood of Boston, Massachusetts. Built in 1925, they are well-preserved examples of Colonial Revival architecture, built during a period of growth fueled by the city&#39;s expanding streetcar network. The apartments were listed on the National Register of Historic Places in 2020.</p><br>
<h2>Description and history</h2><br>
<p>The Cartoof & Sherman Apartments are located in central western Dorchester, on the south side of Wales Street between Harvard Street and Blue Hill Avenue. They consist of three virtually identical three-story apartment houses, built out of brick and stone, connected to one another by party walls. The buildings are set on sloping terrain, with a partially exposed basement level on each structure. A stone water table separates the basement level from the upper levels. Each building&#39;s facade has three slightly inset bays at the center, with the main building entrance in the center, framed by an elaborate stone surround. Windows have stone sills and keystones, with lintels that are otherwise brick. Each building houses twelve residential units.</p><br>
<p>These buildings were designed by Saul Moffie, a local architect, and built in 1925 to answer growing demand for housing in the area which had been fueled by the expansion of the streetcar network along Blue Hill Avenue. Much of this growth was due to Jewish migration from tenement areas of downtown Boston and Chelsea, with an exodus from the latter begun in the aftermath of a major fire in 1908. Moffie was a prominent and prolific local architect responsible for the design of more than seventy area apartment houses.</p><br>
<p>The Intervale Street-Blue Hill Avenue Historic District is a historic district encompassing a densely built residential area in the Dorchester neighborhood of Boston, Massachusetts. Centered on a stretch of Intervale Street near Blue Hill Avenue, the area was developed in the late 19th and early 20th centuries during a major Jewish migration, and includes a fine sample of Colonial Revival architecture. The district was listed on the National Register of Historic Places in 2020.</p><br>
<h2>Description and history</h2><br>
<p>Intervale Street is located in the central Dorchester area known as Grove Hall, extending roughly westward from Columbia Road toward Blue Hill Avenue. It is lined almost entirely with residential construction, particularly the stretch just east of Blue Hill Avenue which is the location of this district. The district is anchored by a mixed-use residential-commercial building at the corner of the two streets, a three-story five-bay Classical Revival brick building. Other buildings in the district are typically either brick Colonial Revival apartment houses, or wood frame single and multi-family structures, also with Colonial Revival styling. One building notable for its residents is 37 Intervale Street, which was home to Louis Farrakhan in the late 1950s. Farrakhan took over the Masjid Al-Quran mosque of the Nation of Islam, located next door at 35 Intervale Street, in 1957, taking over from its founder, Malcolm X.</p><br>
<p>The Intervale Street area had originally been developed in the 19th century with a series of wood-frame residences. Beginning about 1910, a major migration of Jews from Boston&#39;s North End and the adjacent city of Chelsea began, spurred by the extension of electrified streetcar service, and a major 1908 fire in Chelsea which left more than 15,000 Jews homeless. This area was walking distance to a synagogue built at Crawford Street in Roxbury in 1915, which became one of the major centers of Jewish life in Boston from the 1890s through the first half of the 20th century. The area suffered from urban flight and disinvestment in the 1960s and 1970s, and became the subject of urban renewal efforts in that time by the local African-American community.</p><br>
<p>The Thane Street Historic District is a historic district encompassing a group of apartment houses in the Dorchester neighborhood of Boston, Massachusetts. Extending along Thane Street from Harvard Street, the area was developed in 1910, during a major Jewish migration, and includes a fine sample of Colonial Revival architecture. The district was listed on the National Register of Historic Places in 2020.</p><br>
<h2>Description and history</h2><br>
<p>Thane Street is located in central Dorchester, extending roughly south from Harvard Street toward the Codman Square area. The historic district encompasses three brick apartment houses extending from the Harvard Street corner south along the west side of Thane Street. All are three stories in height, with stone foundations, flat roofs, and a shallow setback from the sidewalk. 22-24 and 26-28 Thane Street are virtually identical, with four-bay facades that have rounded bays at the outside, and a recessed entrance with elaborate surround at the center. 30-32 Thane Street is wider, with frontage and an entrance on Harvard Street, as well as a polygonal projecting bay at the street corner.</p><br>
<p>The Thane Street area was a sparsely developed area with a few single-family residences prior to 1910, when Thane Street was laid out. The Dorchester area had become the destination of a major migration of Jews from Boston&#39;s North End and the adjacent city of Chelsea, spurred by the extension of electrified streetcar service, and a major 1908 fire in Chelsea which left more than 15,000 Jews homeless. These three buildings were construction by Louis Silverman and Isaac Shapiro on land purchased from the Carlton family. 30-32 Thane Street was originally built as a mixed-use property, with retail space on the ground floor which has since been converted to residential use. The Jewish population migrated out of the area in the 1950s, accompanied by an influx of African Americans to the area. The Thane Street area was the subject of an early urban housing development program of the city of Boston in the 1960s known as the Model City program.</p><br>
<p>The Lincoln Park Passerelle is a through arch pedestrian bridge in Chicago. It spans Lake Shore Drive, and allows pedestrians to cross between Lincoln Park and the North Avenue Beach. It is a contributing property to the Lincoln Park Historic District. It was featured in the Museum of Modern Arts exhibit "Built in USA: 1932-44", and the museum designated it one of the countrys 47 best structures. Preservation Chicago listed the bridge as one of Chicago&#39;s seven most endangered landmarks in 2007, as it is threatened with demolition.</p><br>
<p>Lake View Sanatorium is a former county tuberculosis sanatorium northeast of Lake Mendota in Madison, Wisconsin. The last county sanatorium built in Wisconsin, it was considered the most advanced, with "germ traps" and open porches. In 1993 parts of the complex were added to the National Register of Historic Places.</p><br>
<p>Before the introduction of antibiotics, sanatoria were used to isolate tuberculosis patients from the general public and provide them with a supportive environment in which to recover. The state of Wisconsin had a state sanatorium supplemented by a series of county and private sanatoria. As Dane County had a large private sanatorium (Morningside, south of town), it lagged behind other counties in opening a public one, but the financial benefits of operating its own sanatorium convinced the county in the late 1920s to build Lake View Sanatorium. I.e., planners estimated it would cost $18 per week to treat a patient at a new state-of-the-art county-run sanatorium, as compared to the $25–30 it was paying for Dane County patients to be treated at Morningside and in other counties.</p><br>
<p>Lake Views main building, built 1929–1930, was designed by local architects Law, Law, & Potter with the assistance of E.A. Stubenrauch, a Milwaukee architect with experience designing sanatoriums. While the building is mainly functional, it features some Art Deco elements. The buildings facilities included 125 beds for patients, an operating room, and facilities for outpatient care. Each patient room contained a "germ trap" vestibule where staff could de-gown after seeing a patient, and a door to a common porch. The building featured large porches facing the lake, as fresh air was considered the best treatment for tuberculosis at the time. The first and second floors had enclosed porches, and the third and fourth floors had open porches. Patients generally spent their days and even many nights on the porch.</p><br>
<p>In the early years the fourth floor was used to house 25 staff, which reduced the capacity for patients. By 1934 that extra capacity was needed and the Board of Supervisors approved money to build the Dormitory for Help to house staff. This construction was supported by Works Progress Administration funds, and freed up 25 beds in the main building for patients. Other ancillary buildings were added over the years: a 1929 power house, a 1938 water utility building, a 1938 water tower, a 1960 power house, and a few others.</p><br>
<p>As antibiotics made sanatoria increasingly obsolete from the 1940s onward, use of the facility declined until it closed in the 1960s; the building is now used by the Dane County Department of Human Services.</p><br>
<p>Lake View Sanatorium Building - panoramio.jpgMain building</p><br>
<p>Lake View Sanatorium - panoramio (5).jpg</p><br>
<p>Lake View Sanatorium - Main Building - panoramio (5).jpg</p><br>
<p>Lake View Sanatorium - panoramio (3).jpg</p><br>
<p>Lake View Sanatorium - Main Building - panoramio (1).jpg</p><br>
<p>Lake View Sanatorium entrance.jpgEntrance</p><br>
<p>Lake View Sanatorium - Main Building - panoramio (4).jpg</p><br>
<p>Lake View Sanatorium - Dormitory for Help - panoramio (1).jpgDormitory for help</p><br>
<p>Lake View Sanatorium - Fountain - panoramio.jpgfountain</p><br>
<p>Vilas Circle Bear Effigy Mound and the Curtis Mounds are a group of Native American mounds in Madison, Wisconsin. The Bear Effigy Mound is in the public Bear Mound Park, while the Curtis Mounds are on a neighboring residential property. As its name indicates, the Bear Effigy Mound is in the shape of a bear, and is intact except for a section of the bear&#39;s leg. The Curtis Mounds were seven linear mounds running down the hill and several conical mounds. Now only parts of one or two linear mounds remain, on private property.</p><br>
<p>Mound Builder civilizations built the mounds between 500 and 1200 A.D. to serve as burial sites. Bear-shaped mounds represented earth and humanity in the Mound Builder tradition; other animal-shaped mounds, such as birds and lizards, were used to represent other elements.</p><br>
<p>The mounds were added to the National Register of Historic Places on December 30, 1974.</p><br>
<p>Burrows Park Effigy Mound and Campsite is an archaeological site in Burrows Park in Madison, Wisconsin. The site includes a bird-shaped effigy mound with an 128 ft wingspan; it once included a fox-shaped mound as well, though it has been destroyed. The mound was built by Mound Builders during the Late Woodland period, likely between 700 and 1200 A.D. The Mound Builders used effigy mounds as burial sites, and bird-shaped mounds represented sky spirits in their religion; effigies of other animals were used to represent different elements. A 1934 restoration project repaired vandalism to the mound and cleaned up its surroundings.</p><br>
<p>The Vilas Park Mound Group is a group of Native American mounds in Vilas Park in Madison, Wisconsin. The group includes a bird effigy, a linear mound, and six conical mounds. It originally included another bird effigy and two additional conical mounds, but development destroyed these mounds and damaged two of the existing ones.</p><br>
<p>Mound Builder peoples built the mounds between 800 and 1100 A.D., during the Late Woodland period, to serve as burial and cultural sites. While the Madison area was once home to over 1,000 mounds, all but roughly 200 have been destroyed, making the Vilas Park group more significant as a potential source of information about Late Woodland traditions.</p><br>
<p>The mounds were added to the National Register of Historic Places on April 10, 1991.</p><br>
<p>The Elmside Park Mounds are a group of Native American mounds in Elmside Park in Madison, Wisconsin. The group includes two animal-shaped effigy mounds; while their shapes are inconclusive, they have been described as a lynx and a bear. The mounds were once part of the Oakridge Mound Group, which included three other mounds, but the others were destroyed by home construction. Mound Builder peoples built the mounds in the Late Woodland period, likely between 800 and 1100 A.D., to serve as burial and ceremonial sites. The mounds may be the only remnant of a Late Woodland community on the northeast shore of Lake Monona and are archaeologically significant in the study of Late Woodland civilizations.</p><br>
<p>The mounds were added to the National Register of Historic Places on April 10, 1991.</p><br>
<p>The Mills Woods Mound, also known as the Hudson Park Mound, is a Native American mound in Hudson Park in Madison, Wisconsin. It is an animal-shaped effigy mound with a long tail, though the exact animal it represents is unclear. The mound was once part of the large Mills Woods Mound Group, which included roughly thirty mounds of various shapes, but construction destroyed every other mound in the group. The mound group was built during the Late Woodland period, roughly between 800 and 1100 A.D., by a Mound Builder group; the Mound Builders used mounds for burials and ceremonial purposes. The mound is one of less than 60 effigy mounds remaining in Dane County, which once had 289 of the mounds, and has potential archaeological significance for the study of Late Woodland civilizations.</p><br>
<p>The mound was added to the National Register of Historic Places on June 7, 1991.</p><br>
<p>The Kahn Tailoring Company building is a historic structure located in downtown Indianapolis, Indiana. It was designed by Indianapolis architects Vonnegut & Bohn and built in 1913. The building is a four-story Neoclassical style structure with reinforced concrete behind a brick veneer. The front entrance features a cornice with decorative features.</p><br>
<p>This building served as the manufacturing headquarters for the Kahn Tailoring Company, started by Henry Kahn in 1903. In addition to the manufacturing building, Kahn operated a retail store at 7 North Meridian Street in Indianapolis. Kahn was known for their high-end, custom suits for men and women. It was also an important manufacturer of military uniforms for the United States during World War I and World War II.</p><br>
<p>In 1954, Kahn Tailoring Company merged with the Globe Tailoring Company of Cincinnati, Ohio, and moved its manufacturing operations to Globe&#39;s facilities. The building was sold to a local printing company, who occupied it until at least the late-1990s. The building fell into disrepair before being converted into apartments in 2014.</p><br>
<p>The building was listed on the National Register of Historic Places in 2019.</p><br>
<p>The New England Masonic Charitable Institute is a historic building on Town House Road in Effingham, New Hampshire. It was listed on the National Register of Historic Places in 2019,</p><br>
<p>It was founded by the Charter Oak Lodge No. 58 of Free and Accepted Masons. Although some Masonic buildings in other states provided space for schools on their first floors, this is the only school in the United States known to have been run by the Masons.</p><br>
<p>It is a two-and-a-half story building, built in Italianate style. The Lodges temple space within the building have trompe-lœil murals painted by Boston painter Philip A. Butler. The murals depict classic sculptures, architectural details and Masonic symbols, including the All-Seeing Eye. The murals were water-damaged in the late 1980s but have since been restored.</p><br>
<p>The building now houses the public library for the town of Effingham.</p><br>
<p>Foster&#39;s Log Cabin Court  is located at 330-332 Weaverville Road in Woodfin, North Carolina, about five miles north of the City of Asheville. One of the first auto-oriented tourism facilities in the Asheville area, it features a number of one and two bedroom Rustic Revival log cabins and a dining lodge. It was placed on the National Register of Historic Places in 2017.</p><br>
<h2>Historic Background</h2><br>
<p>A Buncombe County, North Carolina couple, Zebulon and Audrey Foster, purchased land in the Pine Burr Park area of Woodfin in 1920. They both worked in Asheville, and were looking for a more rural lifestyle for themselves and their young daughter. Initially they lived in a small house on the property, gardened, and had a dairy cow.</p><br>
<p>The land bordered what became a section of the Dixie Highway, a scenic driving route for tourists from northern states. After a number of people asked to camp on the site, which featured a grove of pine trees and views of the mountains, the Fosters decided to construct some small cabins around 1931. The first seven one-room cabins with porches, built from pine logs, were served by two outhouses. Each cabin rented for $1 per night.</p><br>
<p>Six more cabins were built in 1932. All the cabins were improved over the next few years, with additions such as bathrooms, brick chimneys, and wood floors. A dining facility was constructed on an adjoining lot in 1937; it operated as a restaurant until 2021. Part of the movie Thunder Road, starring Robert Mitchum, was filmed in one of the cabins in the summer of 1957; it was then called Top-o-the-Hill cabin, and is now known as the Thunder Road cabin.</p><br>
<p>Audrey Foster operated the Log Cabin Court until she retired in 1970 (Zebulon Foster died in 1941.) It has continued to provide moderately-priced tourist accommodations under subsequent owners.</p><br>
<h2>National Register of Historic Places Listing</h2><br>
<p>Foster&#39;s Log Cabin Court was nominated for the National Register in December 2016, and was listed on May 1, 2017. There are twenty-two contributing buildings and three non-contributing buildings in the property listing.</p><br>
<p>The historic significance of the property was described in the nomination:As an intact example of twentieth-century automobile-based tourism, Foster’s Log Cabin Court meets National Register Criterion A in the area of Entertainment/Recreation. Foster’s Log Cabin Court also meets Criterion C for architecture as an intact tourist court with Rustic Revival style buildings characterized by saddle-notched pole-log construction. The rustic log construction has appealed to the romantic nature of passing motorists since the court’s inception, offering tourists a welcome opportunity to experience the pioneer heritage of the region. As one of the region’s earliest and best-preserved tourist courts, the buildings of Foster’s Log Cabin Court remain scattered among tall pine trees, and the wooded setting compliments the rustic architecture of the tourist court.</p><br>
<p>The Charles S. Barrett Building is a historic building in the Merion Village neighborhood of Columbus, Ohio. It was listed on the Columbus Register of Historic Properties in 2006 and the National Register of Historic Places in 2015. The building was completed in 1900 as the home of the city&#39;s South High School, part of the Columbus Public School District. It has since been converted into apartments, rented out as The Barrett.</p><br>
<p>The four-story Italianate school building was designed by David Riebel, as his second school building commission in the neighborhood, after Southwood Elementary School. The South High School building was modeled after the now-demolished East High School at 1390 Franklin Avenue, designed by Riebel about a year earlier. It was redeveloped into apartments in the mid-2010s. A nonprofit housing agency worked with a local developer to build housing around the school building, with a total of 108 apartments and 22 single-family homes. The school building itself was converted into 52 apartments, and its 1960s addition was demolished.</p><br>
<p>The Hamlet is a historic set of buildings in the Weinland Park neighborhood of Columbus, Ohio, USA. It was listed on the Columbus Register of Historic Properties in 2013 and the National Register of Historic Places in 2015.</p><br>
<p>The Hamlet consists of a 16-unit rowhouse on Fifth Avenue and a duplex adjacent to it, on Hamlet Street. The buildings were rehabilitated by a non-profit housing agency to provide affordable housing.</p><br>
<p>Beth-El Zedeck Temple, originally known as Beth-El Temple, is a historic synagogue located in the Mapleton-Fall Creek neighborhood in Indianapolis, Indiana, United States. The building was completed in 1924, and was originally home to Congregation Beth-El before merging with the Ohev Zedeck congregation in 1928. It is the oldest remaining synagogue structure in Indianapolis.</p><br>
<p>The building is a two-story, neoclassical structure with a brick exterior and flat roof. It has a terra cotta cornice and ornamental pedestals throughout the roof line. Its entrance features a decorative canopy over the front doors, which is suspended to the building by two steel tension cables. The interior features a large sanctuary space on the second floor and classrooms on the first floor.</p><br>
<p>The temple was added to the National Register of Historic Places in 2019.</p><br>
<h2>History</h2><br>
<p>Congregation Beth-El was formed in 1915 when a small group of Jewish congregants began meeting in a rented house at 16th and Illinois Streets in Indianapolis. The following year, attendance had grown and the group rented a larger home at 21st and Talbott Streets. The congregation incorporated in 1921.</p><br>
<p>The congregation chose a property at the southeast corner of 34th and Ruckle Streets for its new synagogue, as the area had a growing Jewish population. The building was dedicated on December 12, 1925, the first night of Hanukah. Governor Edward L. Jackson attended the dedication ceremony.</p><br>
<p>Congregation Beth-El Zedeck occupied the building until 1958 when it moved north to a new location in the Indianapolis enclave suburb of Meridian Hills, Indiana. Congregation B&#39;nai Torah then occupied the building until 1967. Most recently, the building housed a Christian church.</p><br>
<h2>Restoration</h2><br>
<p>Indiana Landmarks, a private historic preservation organization, purchased the building in 2014. Indiana Landmarks raised funds to replace the structure&#39;s roof, which had a large hole exposing the interior to water damage. In 2016, a brick addition to the north side of the building was removed to assist with redevelopment.</p><br>
<p>Ladywood Estates is a historic district in Indianapolis, Indiana. Built in 1967, it consists of 14 contributing multi-family residential buildings, 16 contributing garage buildings, and one contributing object. Originally planned as apartments, the residential buildings vary in size and number of units. All structures maintain a mid-century modern design relating to the community&#39;s post-war era development. The buildings are limestone, brick, and wood siding, with post-and-beam construction typical of mid-century modern open design.</p><br>
<p>The community was planned by lawyer and developer Fredrick J. Capp, who purchased the land in 1965. Capp employed architect Avriel Shull to design it.</p><br>
<p>It was listed as a historic district on the National Register of Historic Places in 2019.</p><br>
<p>The Lovel D. Millikan House is a historic home located in Indianapolis, Indiana. It was designed in 1911 by architect Frank Baldwin Hunter and typifies the American Foursquare style. It has a square shape with two stories, a hipped roof with central dormer window, and rectangular front porch that spans the width of the building. The house also features specific Craftsman styles that separate it from similar homes in the neighborhood. These features include the stylized motifs in the exterior stucco and brick, pyramidal roofs over the front porch entry and roof dormer, and interior features throughout the home.</p><br>
<p>It was listed on the National Register of Historic Places in 2017.</p><br>
